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1. WATCH MAKING MR RIGHT JOHN MALKOVITCH MOVIE
2. WATCH MAKING MR RIGHT JOHN MALKOVITCH ANDROID
3. WATCH MAKING MR RIGHT JOHN MALKOVITCH PLUS
4. WATCH MAKING MR RIGHT JOHN MALKOVITCH PROFESSIONAL

Peters is more like the stereotypical Malkovich role – fidgety, frustrated, and coming across like a zit that’s ready to pop at any moment. Not only does he show himself to be a very skilled comedic actor, but he perfectly balances two completely different characters. We all know that Malkovich is a great actor, but this is really only his fourth film…and his first comedy, at that. What ultimatley makes it work is the strength of the performances from the two leads. Right turns out to be a very sweet little movie.

Once you get past the somewhat creepy idea that we’re dealing with a love story between a woman and a robot, Making Mr. Too bad he’s due to be shot into space in a few days. However, Ulysses has really started to have feelings for Frankie, and soon she finds she is feeling the same way. This includes him going on a date with another lab employee (Laurie Metcalf) who thinks he’s actually Dr. Jeff Peters (also Malkovich) is not so keen on the idea, but his employers force him to cooperate.Īs Frankie starts to connect with Ulysses, he becomes more and more curious and ends up taking a few excursions outside of the lab/compound where he was built.

WATCH MAKING MR RIGHT JOHN MALKOVITCH ANDROID

This includes her spending time with the android in order to making him a bit more likable and, quite frankly, more human.

WATCH MAKING MR RIGHT JOHN MALKOVITCH PROFESSIONAL

The film tells the story of Frankie Stone (Ann Magnuson) a PR professional who is hired to create a campaign around a new high-tech android called Ulysses (John Malkovich). The film was a hit, unfortunately Seidelman’s follow up was not as successful. By the time the film opened, Madonna mania had struck and Seidelman now had “the Madonna movie” on her hands…much to the frustration of the film’s real star, Rosanna Arquette, as rumors have suggested. She’s the filmmaker who had the good fortune of casting an up-and-coming singer named Madonna in her film Desperately Seeking Susan.

WATCH MAKING MR RIGHT JOHN MALKOVITCH MOVIE

Gorgeous.Įventually, Malkovich's character wraps up the action by noting "The director's profession is a very particular one." It's hard to think of a movie with a worse final tag line.For a time back in the 80’s, the hot name when it came to female directors was Susan Seidelman. Arguably, the film's best (and most "Antonioni-esque") moment is a solitary scene with Malkovich reflecting at an overcast beach, where ocean waves and wind-swept sand magically blend into one eerie landscape.

Thank you, Signore Antonioni!Īt least two other slim beauties parade their physical charms, but it's minor compensation. In particular, there is one needless, lingering shot of a full-frontal Marceau which is pure cheesecake. Marceau's sequence is the lamest of all, but its gratuitous nudity will please.well, just about anyone who enjoys looking at naked women. In this artificial world, sexual chemistry between strangers is a given, mainly based on heavy breathing, solemn walks, ponderous gazes and stilted philosophical musings such as "Voices never become part of you like other sounds" and "It's strange - we always want to live in someone's imagination." Otherwise, the motivations for hopping into bed can be hard to understand, particularly in the case of world-class beauty Sophie Marceau being immediately drawn to pale, wormy Malkovich. Peter Weller and Jean Reno add further star charisma, but not much else.

The stories just drift into view, then fade away again. Typically for Antonioni, none of the segments except the last one (starring Irene Jacob as a pious woman being pursued by an oily suitor) have any real payoff.

WATCH MAKING MR RIGHT JOHN MALKOVITCH PLUS

This simple premise provides the framework for observing various romantic vignettes - five central ones, plus a short, sentimental scene with old pros Marcello Mastroianni and Jeanne Moreau. He doesn't have many lines, and mostly just looks vacantly inquiring. Right," John Malkovich plays an American director wandering the rustic streets of Italy, seeking inspiration for his next film. In what may be his most embarrassing role since "Making Mr. The corny use of mood music - including poor Van Morrison - doesn't help, and is truly appalling at times. Just another made-for-cable softcore flick. At worst, it's like Antonioni channeling Zalman King. At best, "Beyond the Clouds" is a multi-angled look at the delicacy of romance.